Skinhead flash games

In stark contrast to the esoteric flamboyance celebrated elsewhere in the latter half of the sixties groups of working class kids looked to their backgrounds and surroundings and pieced together a look that celebrated and spoke of something they could call their own. By late 67 edging in to 68 this new look began to appear — a look built on an ethos of traditional values, a return to working class pride. At its core was a tough-yet-smart combination of standard shirts button down or collarless , jeans, braces and heavy work boots all crowned with a smartly shorn hairstyle creating the perfect ideal of a smart day-to-day street uniform.

Elsewhere were incorporated an array of work-wear influences: traditional donkey jackets, jungle greens tough, cotton canvas army surplus trousers and denim jackets.

It was this silhouette that launched the street tough, working class image that epitomised the early look of skinhead. For the first time an internal influence held sway over working class street fashion, a re-appropriation of work wear and traditional clothing styles appeared for the first time as a street style statement. Where previous eras youth cults — Teddy Boy and Mod — had sought to emulate the flash of the upper classes or the finesse of continental Europe, the skinhead look remained a homage to its staunchly proudly working class beginnings.

For working class youth at the time Saturdays meant football and for many outside of the capital their first glimpse of skinhead was telegraphed visually via the terraces as large gangs travelled from London to away games up and down the country. Style wise they referred back to the smart, suited attire of their predecessor alongside the age old idea of dressing up to escape the grind and grime of the work day week — button down shirts, sharply cut suits, crisp clean fly fronted macs or a crombie overcoat, boots replaced with exquisitely polished leather brogues or royals.

Everything worn with an impeccable sense of style, subtle twists subject to the exact same scrutiny, eliciting the slight nod of approval or a sneer of derision that fuelled the early Mod code of ethics. The other key influence in smart, skinhead style came from further afield yet were encountered locally via the influx of Jamaican families arriving in the capital in search of work and looking to start new lives.

Skinheads also adopted the sound of young Jamaica in the form of ska and blue beat, so close was the affinity of skinheads with ska and reggae that records aimed specifically at this market began to be released with lyrics and song titles that specifically referenced the scene.

At the turn of the decade the look continued to develop. Moving forwards into smarter territory, hair was worn longer and clothing began to be influenced by the American Ivy League college look — a mix of suits, button down shirts, beautifully crafted leather brogues and smart casual sports influenced blousons — including the iconic Harrington Jacket.

Large checked trousers and cords worn with polo neck and fairisle patterned jumpers, created a far less refined silhouette than in earlier years — echoed further by a move towards bulkier, heavier footwear like basket weave Norwegians. Hair by now was getting much longer, shoulder length — the antithesis of skinheads beginning — a combination creating a much looser, casual air to the look, a strange mix of street toughness and restrained, kept-in-check flamboyance. Mark Hynds is a graphic designer and writer.

He no longer delivers papers but other than that nothing has changed. He remains obsessed with the looks, sounds and creativity of street borne subcultures and currently publishes the fanzine Subbaculture.

This essay was curated by The Subcultures Network , which was formed in to facilitate research on youth cultures and social change, and commissioned as part of the National Lottery Heritage Funded project to build the online Museum of Youth Culture.

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