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User reviews 2K Review. Top review. Great fun, a real surprise. It just goes to show how wrong you can be. I had not expected to like this film. I was disappointed by both the Kill Bill films although i preferred the second and Death Proof although it was better in the shorter cut of the double-bill release. I love Reservoir Dogs, admire Pulp Fiction and think that Jackie Brown is Tarantino's most mature piece of film-making - technically his most superior - including the last great performance elicited from Robert De Niro.

Since then it seems to me while his films have been okay i haven't hated them he has been treading water in referential, reverential, self-indulgent juvenilia. Then i read the script last year for Inglourious Basterds - and i hated it!

Sure it had some typical QT flourishes and the opening scene was undeniably powerful. There were a couple of great characters. But on page it was more juvenile rubbish, largely ruined by the largess of the uninteresting Basterds of the title.

It made me seriously contemplate not seeing the film. The trailers did nothing to convince me. So little was i prepared for the sheer exuberant fun and brilliance of Inglourious Basterds. Easily Mr Tarantino's best work since Jackie Brown it is a triumph. Yes the references are there but they do not interfere with the story, they are not the driving force. Yes Eli Roth is stunt casting but he works fine, with little to do but look aggressive, and does nothing to hurt the film as i had feared.

While i admired Mr Tarantino for using stuntwoman Zoe Bell as herself in Death Proof in order to amp-up the exhilaration of the major stunt scene her lack of any acting ability in a key role was a problem for the film.

What really makes this work is how BIG it is. The spaghetti western vibe to much of the style, dialogue and performances is wonderfully over the top without descending too far into the cartoon quality of Kill Bill.

The violence is so big. The audacity so big. Brad Pitt is so big! In the trailers the Hitler moment and Pitt's performance bothered me but in the context of the film they are hilarious. Pitt is actually brilliant here, exactly what he needs to be. Christoph Waltz who i did not previously known and Melanie Laurent who i first noticed in a brilliant French-language British short film by Sean Ellis are sensational and i expect to see both used a lot more in the future.

Tarantino has clearly not lost his eye for casting, which seemed to desert him in Death Proof. Waltz is equally large in his performance. Chilling, yet theatrical. And Laurent is suitably Cardinale innocence but tough, a fighter. They both dazzle here.

That every member of the cast gets the fun to be had from what they are doing while not indulging themselves in just having fun and trying to get laughs helps tremendously. The laughs - and there are loads - come organically. Only Mike Myers comes close to tipping the wink and pushing it too far but his scene is reigned in just enough - with the help of a fantastic Michael Fassbender who seems pulled directly from the mold of Attenborough's Great Escape leader. All the actors shine and Tarantino throws in wonderful flourishes, but ones that work with the story.

The introduction of Schweiger's Hugo Stiglitz is a riot. After a sensational slow-burn opening and a glorious intro to those inglourious Basterds the pace never lets up and over two and half hours flies by. It also looks beautiful, marking this as a return to real film-making rather than just self-indulgent silliness.

The musical choices, as always, are inspired from Morricone on. The film is audacious and hilarious. Obviously, this wouldn't happen in reality. This is a stylistic choice for this film. The couple sitting directly behind The Bride have a sword as well, and a third sword can be seen.

In addition, all of O-Ren's outriders have swords prominently displayed on their bikes. Quotes Hattori Hanzo : Revenge is never a straight line.

Crazy credits Shin'ichi Chiba Hattori Hanzo is listed as the samurai sword advisor. He played a maker of samurai swords in the film. Alternate versions Many changes were made to the movie to minimize the violent and adult content when it was broadcast on TBS.

Connections Edited from The Grand Duel By Arrangement with Celebrity Licensing. User reviews 2. Top review. An adrenaline-driven coaster-ride through gratingly bold and captivating martial-arts extravaganza. Sure it's outlandishly violent and bloody. Can anyone expect Tarantino's movie not to be a true mind-blowing, adrenaline-pumping shocker? Of course not! Gritty and slick, his first installment of KB rocks with moody western imagery, the '60s and '70s-era of Hong Kong martial arts-action, the influences of the ritualistic samurai swordsmanship, and Japanese anime.

Like in all his films, Tarantino never fails to merge dark humor with terror. It's impossible not to smile over the Shaw Bros. This film's a sampling of the Tarantino 'fury,' short of the Tarantino customary fiery tongue. It celebrates the Tarantino trademark of avoiding the use of computer-generated CGI special effects. It's almost as if I'm watching a colorful and bloodied kabuki stage that's displaying a stunningly massive tournament of multi-layered kung-fu and female samura sword-fighting styles to dazzle the audience.

It's examining how Tarantino catalogues the great stylistic elements of his favorite 'old-school' filmmakers and transforms them into a phenomenally creative and mesmerizing film. Yep, there's a great deal of captivatingly artistic boldness in this film.

Powerfully portrayed and not to be easily forgotten. Hide Show Additional Crew 1 credit. Hide Show Thanks 1 credit. Hide Show Self 42 credits. Self - Guest. Self - Jury Member. Self - Interviewee. Show all 10 episodes. Self - Presenter. Self - Winner. Hide Show Archive footage 1 credit. Related Videos. Official Sites: France's national library catalogue Theater org French.

Height: 5' 2" 1. Parents: Laurent, Annick Pierre Laurent. Edit Did You Know? Personal Quote: [on her character Shoshanna] Umm, I'm very close with her